Yesterday I attended a Guardian Masterclass book club with Jeanette Winterson. I remember reading her Oranges Are Not the Only Fruit at my Erasmus  exchange year at Trinity College in Dublin. I liked it but I still remember a vague feeling of discomfort, probably as the openness of her book on the topic of homosexuality was new to me. My Prague curriculum did not include openly queer pieces of work and I do not remember ever discussing it in our seminars (although, this may be my memory failing me).

Since then, I have collected a number of her books but have only read one more – Written on the Body. When I tried to buy the Frankissstein  yesterday I was told they have three copies coming as one of the booksellers is a big fan and sells it to people all the time.

And so I attended the book club, hosted by Lisa Allardice, unprepared and below is what I took away from it:

Winterson was asked to explain why she focused on artificial intelligence in the book and she answered that she has been trying to find out what was going on in that field for years and has always been curious where it may take us. She also drew an interesting parallel with religion as both AI and religion ultimately tell us that our body is not the last of us and there is more after our body fades.

She then asked what would happen if through perfecting the AI we end up creating something that is smarter than us. 

Ultimately, she sees the AI as a means of liberating ourselves from our bodies and wondered what that would mean for the binary perception of gender.

Winterson thought up Frankissstein for the 200th anniversary of Mary Shelley’s Frankenstein as she realised that we may be the first generation that can actually bring Shelley’s idea to life through AI. She also mentioned that at the time Frankenstein was written Lord Gordon Byron’s daughter Ada, later to be knows as Ada Lovelace, the “first [person] to recognise the full potential of computers”[1], had just been born. She set the novel in the present times with direct references to presidents Trump and Bolsonaro because “the now is where it is all happening”.

She went on to say that the best writing is “writing from a wound” and that we should offer ourselves through our wound to the others and that we should work on what is an issue in our times to make it easier for those that come after us. We should remember that we may not see the fruit of our work and should find inspiration in the cathedral builders who knew they will never see the final result.

There is much more she said but what I took away from that hour is that Jeanette Winterson is effortlessly likeable, at least for me, and I also got the confirmation of something I already suspected just based on the couple of books, interviews and articles I have read; that she is a person I would like to have at  my dinner table. Not because she is a great writer whose books I enjoy but because she is that kind of a person. Warm, personable and boundlessly human.

There is now a YouTube video available of the conversation (added 24 July 2020).

[1] ‘Ada Lovelace’, Wikipedia (last edited 14 July 2020),  https://en.wikipedia.org/wiki/Ada_Lovelace , accessed 17 July 2020.

Any comments?

1000 Characters left


 


Recommended

   

The Guardian: On the brink of a Booker: 2020's shortlisted authors on the stories behind their novels

As the winner of the Booker Prize 2020 is to be announced on Thursday 19 November, let us have a closer look at the finalists. I have only read one of the shortlisted books but I have another one waiting on my shelf and two more that I would like to purchase. Watching The Guardian Live Booker Prize shortlist readings (embedded in the article) I found myself quietly and distantly smiling throughout the evening spent with writers, yet again.

'It had been on my shelf for years': Guardian readers share their lockdown reads

Now that the weekly "Tips, Links and Suggestions" column has ended, I will keep looking for fellow-readers' recommendations as I often find them enticing. The first ones I came across were of the "classics" in multiple sense of the word.

"Tips, links and suggestions" by The Guardian readers, week of 26 October 2020

This was my favourite weekly column for inspiration about what to read next. I enjoy the mix of the latest bestsellers and obscure works from centuries ago, as well as, original comments by the readers.

Where to start if you want to get into black young adult fiction by Leah Cowan

I know very little, read nothing, about Young Adult fiction since I have been looking down on it for some reason. I think it is the genre name that confuses me. I have not been aware of it until I moved to the US four years ago and, thinking about it, I am sure it has its purpose but for me the only age division in books was children's and the rest. I am sure by now it is also being used on the Czech and Slovak book market but it was not something I came across growing up.

Thanks to Where to start if you want to get into black young adult fiction by Leah Cowan I will certainly be looking up some of the books mentioned. I believe the narratives of quest and overcoming obstacles might be just what we all need right now.

"Rethinking ‘Diversity’ in Publishing" Report

First, I came across an article in The Guardian: “'I stuck my foot in the door': what it is like to be black in UK publishing”  and that led me to the report on diversity in publishing called “Rethinking ‘Diversity’ in Publishing

The report then made me wonder about the books by non-white authors I have read and whether and/or to what extent they are conforming to the white, middle-class readers’ supposed perception of what a non-white author should be writing about.

 


Bestsellers

 

UK

  1. Richard Osman: The Thursday Murder Club
  2. Joe Wicks: Joe’s Family Food
  3. E. L. James: Freed

Week ending 18 June (Direct from trade sales)

USA

  1. James Patterson, Bill Clinton: The President’s Daughter
  2. Elin Hildebrand: Golden Girl
  3. Dav Pilkey: Dog Man: Mothering Heights

Through 12 June (Publishers Weekly)

Ireland

  1. Trisha Lewis: Trisha’s 21-Day-Reset
  2. Sinéad O’Connor: Rememberings
  3. Jane Casey: The Killing Kind

Week ending 12 June (Based on Nielsen BookScan for Irish Consumer Market)

France

  1. Dubu Chugong: Solo leveling
  2. Zep: Titeuf; la grande aventure
  3. Riad Sattouf: Les cahiers d’esther; histoires de mes 15 ans

Week ending 13 June (Based on Edistat)

Want to stay informed about new articles? Subscribe to new article alerts.


Website header title image created using Typo.polona
Site icon by Freepik from www.flaticon.com
More Information

Site-map: HTML | XML
Back to Top

© 2024  Barbara's Book Club